This exhibition draws inspiration from Isamu Noguchi’s iconic “Playscapes” playground, encouraging audience interaction and sparking imagination. Au’s “Carnival 2.0” extends this vision, transforming graphic design into kinetic sculptures—playful, pop-inspired hybrid creatures swaying in the breeze, reimagining Noguchi’s pioneering spirit.
Playscape – Pop-Up Installations
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Design Concept
Inspiration draws from those serendipitous moments of beauty in parks—a cat stretching lazily, flowers swaying in the breeze, people reclining freely as they gaze at the sky. The poster captures this carefree atmosphere through vibrant oranges and yellows, framing these lively scenes to evoke that innate longing for freedom within everyone. Birds flitting through each visual element serve both as spatial connectors and metaphors for liberation, lightly weaving together humanity, art, and nature in dialogue. These graceful visitors not only animate the space but also hint at infinite possibilities—much like the exhibition itself, which has no set path, only surprises to be discovered through spontaneous exploration. The typography is playfully designed to resemble amusement park fixtures, creating a lively interplay with the overall composition.
The exhibition space transforms into an open-air artistic playground, where installations themed around windmills and birds blend seamlessly into the environment as if they grew there naturally. More than just visual pieces, these installations invite interaction, sparking imagination and engagement.
The exhibition space transforms into an open-air artistic playground, where installations themed around windmills and birds blend seamlessly into the environment as if they grew there naturally. More than just visual pieces, these installations invite interaction, sparking imagination and engagement.
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